The NX-N500 may not achieve Mark & Daniel bass but managed a credible job. The response at this point was hardly ruler flat or massively authoritative but sufficient to build a bit of solidity into the bottom end. Even when stand-mounted for no boundary reinforcement, the NX-N500 still showed activity at 35 cycles. Yamaha played conservative on their 54Hz spec. The NX-N500 made impressive gains in bass excursion as the speakers wore in, evolving from controlled but somewhat polite to controlled and quite deep. If there is penalty for short-term patience, long-term rewards have historically been durability, predictability and superior control (in a properly matched enclosure). The 5" woofers utilize stiff surrounds and take their sweet time to wear in. Straight out of the box, tonal balance was a little light although midrange and upper frequencies were impressively smooth, expressive and remained so for the duration. Yamaha built versatility galore into this pint-sized package but what did it sound like? "In a Sentimental Mood" by Duke Ellington & John Coltrane (1962) and "Moonlight in Vermont" with Stan Getz & Astrud Gilberto (2002). The names below are familiar chestnuts and the recordings are clean, capable and commendable. This is a lovely way to discover new material as well as meet up with some old friends. Now I'm going to double up again on some material from the current Late Night Jazz Tidal play list. The recording is a combination of synths and full orchestra and while not top audiophile caliber, it has sufficient dynamic swing and soundstage complexity to keep it interesting. The composer brings his prior experience from Tron: Legacy and Oblivion to bear and shows superb control with a graceful orchestral swell that hits climax not with a massive peak but instead a haunting single note of longing. The movie has been deemed ET for a younger generation so expect some tugging on the heartstrings. I also did the "Earth to Echo Suite" from the eponymous soundtrack by Joseph Trapanese. These are "Suicide Mission" from Mass Effect 2 and "This Time There's Three of Us (the Majestic Tale)" from Doctor Who. At the 05:30 mark into the second composition, you will experience extreme déjà vu. The first is a synth gamer's soundtrack, the second a television episode soundtrack. I'm going to lump the next two recordings together because the juxtaposition is amazing fun. This type of material relies on strong beat and incessant dynamic bounce which here are complemented by a reasonably weighty tonal balance and a good attempt at artificial ambience with dimensional solidity. "What Do You Mean?" from Justin Bieber's Purpose is a surprisingly well engineered Pop album that allowed Bieber to move away from his boyhood image but remain accessible to his audience. It's big, it's wide and it has some dynamic swing in its stride, along with bass lines that go reasonably deep and meaty. "Hands to Myself" from Revival by Selena Gomez is a bouncy little Pop number with some decent production values. This Yamaha is built for that so I took guilty pleasure in the advantage. made it to the listening sessions but below I've chosen material to reflect that the game should also be one of fun and discovery. You can assume that all my standard Reference Recordings, Telarc, Dorian & Co. Download our royalty-free calm music instead.ĭid you know you can find songs based on topics? Some examples of topics searched by other users include commitment or respect songfacts, ex 2021, mom video, siblings growing apart, and love and heartbreak painters stroke.If technology is the method, music is the goal. Note that you need permission to use End of Line - From "TRON: Legacy"/Score for commerical purposes. You can also find concert tickets and details. Other popular songs by Daft Punk includes Lose Yourself To Dance, Television Rules The Nation, Face To Face, One More Time, The Game Of Love, and others.įor more information on this song or artist, check out SoundCloud or Last.fm. End of Line - From "TRON: Legacy"/Score is unlikely to be acoustic. Around 3% of this song contains words that are or almost sound spoken. The energy is average and great for all occasions. In our opinion, End of Line - From "TRON: Legacy"/Score is has a catchy beat but not likely to be danced to along with its extremely depressing mood. It is composed in the key of A Major in the tempo of 196 BPM and mastered to the volume of -11 dB. The duration of End of Line - From "TRON: Legacy"/Score is 2 minutes 36 seconds long. End of Line - From "TRON: Legacy"/Score is a song recorded by Daft Punk for the album TRON: Legacy that was released in 2010.
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